Anatomy of a Melody
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Anatomy of a Melody covers:
- in-depth analysis of the melody of the standard “Autumn Leaves”
- the importance of connecting the lyrics with learning, phrasing, and performing the melody instrumentally
- techniques that jazz musicians use to make an American songbook style melody into a jazz performance
- transcribed examples of jazz masters Chet Baker and Miles Davis performing “Autumn Leaves”
- application of Baker’s and Davis’ techniques to your own performance
- examination of techniques such as rhythmic anticipation, back phrasing, interspersing improvised phrases, using shading devices, and changing melody notes
- scale exercises across three strings to encourage a more melodic approach to improvised phrases
- using intervallic and rhythmic motifs from the melody in your improvised phrases
- use of compositional techniques such as inversion, rhythmic displacement, and rhythmic reversal
- example etude using the above techniques to improvise a new melody
- 68 minute running time
- includes 12 pages of written examples and exercises
- includes backing tracks for musical examples, plus full-length backing tracks for practice
- All musical examples from the video are provided in music notation and tablature.
- Each example performance is shown in close-up view and titled and numbered for easy navigation.
Running time: 1hr 8minutes
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1. Anatomy of a Melody Full Class + Download
1h 8mReviews & Ratings
"The finer Points"
In this class, Tom explores the finer points of playing a head. It helped to firmly crystallise the concept in my mind of what I have suspected Master improvisers were doing. Further, Tom shows how to use motifs drawn from the melody to improvise a solo. This adds relevance to the song. These are the finer details that take your playing from good to great. Thanks again Tom for another great lesson.
"Well done"
I was okay with the first 3/4 of the course - it was good, but it's the last 1/4 that involves what I've been working on, and it was very good. I could see more courses on just this portion about improvising based on the given melody. I would have liked more info on the transposition part, but otherwise great ideas. Well explained.
"Thank you Tom"
Thank you Tom, and the entire site team for so much precious content. Isaac Negrene