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Pedal Points Part 3: Inner-Voice Fretted Pedals


August 19, 2017
Steve Herberman
This masterclass explores the inner (or middle voice) pedal point designated to fretted notes 
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$29.95

Pedal Points Part 2: Inner Voice Open String Pedals


June 24, 2017
Steve Herberman
This masterclass will explore the inner (or middle voice) pedal point designated to open strings. Most often pedal points are employed either in the lowest or highest voice of a chord or chord progression. 
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$34.95
$29.71
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II-V-I Motivic Phrases


June 14, 2017
Steve Herberman
This Master Class utilizes some useful tricks in aiding the guitarist in devising their own motivic II-V-I single note lines. Not only will the lines have a solid structure but the dominant sevenths will contain some spicy altered sounds. 
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$34.95
$29.71
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Pedal Points, Part 1: Lower Pedals


September 22, 2015
Steve Herberman
Lower pedal points can provide a great sense of suspense through harmonic tension. Commonly used for intros, endings, and interludes 
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$29.95

Diminished Sounds with Major Triads


February 16, 2015
Steve Herberman
The major triads of the symmetrical diminished scale are a treasure trove of modern sounds used for everything from ďoutsideĒ improvisation to the Blues and beyond. 
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$29.95

Blues-Part I - Call and Response


January 20, 2014
Steve Herberman
The call and response concept is the foundation of the Blues and in this Master Class for all instruments this important concept is examined in-depth. 
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$29.95

Contrapuntal Triad Pairs part 2: Open-Voiced Triads


May 27, 2013
Steve Herberman
This continuation of Contrapuntal Triad Pairs part 1 features open voiced triads played in a conversational chord-melody style.  
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$29.95

Contrapuntal Triad Pairs part 1: Close-Voiced Triads


September 14, 2012
Steve Herberman
Exercises in standard notation with fingerings, TAB and chord diagram form. This fun and challenging class combines altered sounds and major and minor triad pairs  
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$29.95

Jazz Line Construction


April 1, 2012
Steve Herberman
In TAB and standard notation 22 pages of written material This eye-opening 98 min. class quickly gets to the root of problems many players have with constructing strong lines that  
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$29.95

Altered Sounds


November 15, 2011
Steve Herberman
In TAB and standard notation, 25 pages of written material Western music is based on the idea of harmonic cadence, tension and release. It's easy to balance tension and release once the principles are clearly understood. 
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$29.95

Double Stops for Jazz Guitar


March 24, 2011
Steve Herberman
Single note lines can be given greater depth by using two notes played simultaneously in a variety of interval combinations. These harmonic intervals that can be mixed and matched implying harmony 
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$29.95

Chordal Solo Choruses


January 3, 2011
Steve Herberman
(in TAB and standard notation) The inspiration for this fun and challenging class comes from the exciting chordal solo choruses George Van Eps recorded for the Jump record label with his small group. Those solos were all about motion in any voice at an 
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$29.95

Going for Baroque


November 18, 2010
Steve Herberman
This class is an introduction to Baroque-style counterpoint filled with harmonic resources to aid in the ability to compose and improvise within this style. 
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$29.95

Open String Voicings for Guitar


July 2, 2010 Saturday
Steve Herberman
Using chord voicings that feature open strings can help create a rich and complex atmosphere for comping, chord-melody playing and soloing. They are a perfect way to enhance a composition with textural nuance and are adaptable to fit any style of music. 
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$29.95

Guide Tone Lines: Soloing on a "Bird" Blues


April 25, 2010 Monday
Steve Herberman
Guide Tones lines can be the missing link for many improvisers when soloing over chord changes. Knowing the chord tones of each chord and their possible chord scales are only part of the equation. Using the Charlie Parker tune 
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$29.95

Artful Intros


March 17, 2010 Thursday
Steve Herberman
If you are looking for both basic and new concepts to devise intros and endings, then this class is for you! The 16 pages of written material (including TAB) 
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$29.95

The Diminished Scale In Improvisation


October 18, 2009 Monday11:00 AM
Steve Herberman
The diminished scale is perhaps the most fun and challenging scale used in improvising adding spice and a modern vibe to melodic lines. 
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$29.95

Chord-Melody 101/201


July 7, 2009 Wednesday11:00 AM
Steve Herberman
Chord-Melody 101/201: Making Great Sounding Arrangements with Block Chords - With TAB and standard notation. You already know a handful of cool sounding voicings but chord-melody arrangements may still be tough. Ever listen to Wes Montgomery‚??s 
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$29.95

Quartal Harmony and Intervallic Soloing


April 26, 2009 Monday 11:30 AM
Steve Herberman
With TAB and standard notation. Quartal harmony can really spice up ones comping and soloing bringing them into the modern realm. 
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$29.95

Comping Concepts Part 3: Rootless Voicings & Chord Substitutions


March 8, 2009 Monday 11:30 AM
Steve Herberman
(with TAB!) Often guitarists will reach for chord ‚??grips‚?? that have roots in the bass, sometimes out of habit. 
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$29.95

Developing A Personal Practice Routine


January 20, 2009 Wednesday 11:30 AM
Steve Herberman
Practice is always changing and evolving. One key is to let the actual music be the guide keeping practicing fun, interesting and most importantly, practical. 
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$29.95

Melodic Embellishment 1


December 21, 2008 Monday 11:30 AM
Steve Herberman
Wes Montgomery, Johnny Hodges, Ben Webster, and Louis Armstrong were true masters of the art of melodic embellishment. In this class we‚??ll look at the techniques utilized by these jazz greats and others who excelled at melodic invention on the popular s 
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$29.95

Comping Concepts Part Two: Ballads and Jazz Waltz


November 16, 2008 Monday 11:30 AM
Steve Herberman
In this second class on comping we‚??ll look at ballads and jazz waltzes and the types of comping that work well for each. Tunes will include 
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$29.95

The Inner Line


September 20, 2008 Monday 11:30 AM
Steve Herberman
Improvising in the chord melody style can be taken to new heights when inner lines are employed that are musical and played with finesse. This class will deal specifically with inner lines, or lines that are played between a melody note and a bass note. T 
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$29.95

Electric Fingerstyle Guitar


July 13, 2008 Monday 11:30 AM
Steve Herberman
Playing fingerstyle on an electric guitar or steel string acoustic can be a very different experience than on a classical guitar. 
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$29.95

Composing and Improvising Strong Melodies


June 9, 2008 Tuesday 11:30 AM
Steve Herberman
Creating memorable melodies can be challenging, especially in the midst of an improvised solo. In this class we‚??ll examine a wide array of great melodies and see what makes them eminently sing-able and memorable. The makings of a great melody involve t 
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$29.95

Fundamentals Checkpoint


April 27, 2008 Monday 11:30 AM
Steve Herberman
We all know how important fundamentals are. But are they mastered to the point that they can be called upon at any instant during performance? 
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$29.95

Odd Meters


March 16, 2008 Monday 11:30 AM
Steve Herberman
Although utilized for many years in jazz and other styles, odd meters has become an essential part of today‚??s jazz. 
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$29.95

Comping Concepts Part One: 4/4 swing


January 22, 2008 Wednesday 11:30 AM
Steve Herberman
In this class standards such as Stella By Starlight, In A Mellotone and Confirmation are used to demonstrate a variety of comping concepts 
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$29.95

Exploring the Chord/Single Note Line Connection


December 16, 2007 Monday 11:30 AM
Steve Herberman
Harmonically rich single note lines are embedded in many chord forms! Certain chord forms can be arpeggiated to yield beautiful 
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$29.95


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Jack Wilkins

"...I've been enjoying the Paul [Bollenback] and Chris [McNulty] lesson...once I started watching I couldn't get away!" - Dave E. (Tucson, AZ, USA)