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Dodecafonismo en la Improvisacion

August 20, 2010
Juampy Juarez
Price per Unit (piece):
$29.95


En esta clinica o masterclass  enseño mis investigaciones acerca de 12 tone row o series de 12 notas sin repetir, un invento de Arnold Schonberg utilizado para la composición clasica contemporanea  en los comienzos del siglo veinte y extendido por sus discipulos Antón Webern y Alban Berg.

Mi proposito es lograr enseñar formulas sencillas para poder utlizar distintos recursos que generen patrones dodecafonicos, como triadas aumentadas, la escala tonal y la escala aumentada, tricordios 013, 014, 015, 027 , triadas cuartales, desplazamiento de la octava, acordes 23º, y mas.  Todo esto aplicado a sencillas progresiones de Blues en F,C,G,C-, y famosos standards como Solar, Stella by Starlight, y progresiones II V I .

Estas ideas son el resultado de una búsqueda  en el mundo de la musica atonal  en conjuncion con la necesidad de usarlas en el estilo del jazz, utlizando distintas tecnicas incluidas las  de contrapunto vistas en mi masterclass “Contrapuntal Improvisation”

Los fans de Jimmy Wyble tambien encntraran nuevos 2 line licks.

Aquí apenas estoy mostrando la punta del iceberg de lo que se puede lograr utlizando recursos dodecafonicos, imagino que en un futuro cercano cada vez sera mas comun escuchar estas ideas en la improvisacion de todos los estilos.

This class is in Spanish.  Below is the description in English.

Dodecafonism applied to improvisation.

 In this masterclass I’m teaching my investigations about 12 tone row techniques, an Arnold Schonberg’s invention developed for classical composition at the dawn of the twentieth century.  These techniques were  expanded by his students Alban Berg and Anton Webern.My purpose is try to teach simple formulas for  using  12 tone patterns, like augmented triads, 013, 014, 015 and 027 trichords, cuartal triads, octave displacement, 23rd chords, and more. These techniques have been applied to handy progressions like Blues in C, C-, F, G, and famous standards like Stella by Starlight, Solar, plus examples with II V I sequences.These ideas have been founded at the core of Atonal music and on the necessity of playing these ideas in a jazz context, using different techniques included Counterpoint and 2 lines showed in my previous masterclass “Contrapuntal Improvisation”.  Jimmy Wyble’s fans could find new 2 line’s licks. 
I’m showing the tip of the iceberg of these 12 tone techniques and theory.  I believe that in a near future more and more players will play and compose with these wonderful devices.

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Jack Wilkins

"Jake Langley's class 'Making the Changes - Translating the Jazz Language on Guitar' was like taking 8 or 10 private lessons with him, jam-packed with great playing examples and information!" - Allen A. (Kelowna, BC, CAN)